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NOT YOUR ORDINARY WINE TOUR — SOLD OUT! Sunday, May 16, 2010 5:00 pm WillaKenzie Estate 15 guests $125 Make a day of it in the heart of Willamette Valley wine country. We combine the breathtaking setting of the WillaKenzie Estate with an extraordinary bouquet of pinots, dinner, and music. Imagine the sounds of Max Fuller on baroque cello and viola da gamba and Bonnie Garrett on harpsichord before you sit down to a scrumptious buffet supper and some of the best wines in the valley. Sure to please even Bacchus!
More details: WillaKenzie Estate is located in Oregon's Willamette Valley on rolling hillsides in the Chehalem Mountains, approximately 60 minutes from Portland. You are responsible for providing your own transportation to the winery. A mini-concert will begin at approximately 5:30 pm followed by dinner with wines by WillaKenzie Estate. Link to more information about WillaKenzie Estate.
Bonnie Garrett is active throughout the western United States as a performer and teacher of harpsichord and piano. A co-founder of Portland Pro Musica, known for its popular Saturday Baroque series in the 1980s, she has also produced the series Papa Haydn and Friends and Vienna circa 1830, portions of which were aired on Oregon Public Broadcasting. Chosen to participate as fortepianist in the 1993 Aston Magna Academy Schubert's World: Viennese Culture in the Reign of Francis I, she has also toured with the acclaimed Dutch baritone Max van Egmond and violinist Jaap Schröder. She helped organize and then performed regularly on the Liederabend series at Trinity Episcopal Cathedral and has appeared as fortepianist and harpsichordist with the Portland Baroque Orchestra, Artemis Trio, Oregon Symphony, Oregon Repertory Singers, and at numerous colleges and music festivals in Oregon, Washington and California, including the Oregon Bach Festival, Water Music Festival, Governor’s Artist Series in Olympia, and the Mozart Society of California. She has recorded with Saeculum Aureum Players. Selected by The Oregonian as an "Art Star of the Nineties," Garrett directs the private music instruction program at Reed College, where she also teaches piano and harpsichord, curates the early keyboard collection, and directs concert series including Friday at Four, Music in the Gallery, and Bach in High Places. In demand as adjudicator and presenter of workshops and master classes, she is presently engaged in a project focusing on performance considerations in the keyboard sonatas of Haydn.
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